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In recent years the term "wireless" has gained renewed popularity through the rapid growth of short-range computer networking, e.g., Wireless Local Area Network (WLAN), Wi-Fi, and Bluetooth, as well as mobile telephony, e.g., GSM and UMTS. Today, the term "radio" often refers to the actual transceiver device or chip, whereas "wireless" refers to the system and/or method used for radio communication; hence one talks about ''radio'' transceivers and ''Radio'' Frequency Identification (RFID), but about ''wireless'' devices and ''wireless'' sensor networks.
Each system contains a transmitter. This consists of a source of electrical energy, producing alternating current of a desired frequency of oscillation. The transmitter contains a system to modulate (change) some property of the energy produced to impress a signal on it. This modulation might be as simple as turning the energy on and off, or altering more subtle properties such as amplitude, frequency, phase, or combinations of these properties. The transmitter sends the modulated electrical energy to a tuned resonant antenna; this structure converts the rapidly changing alternating current into an electromagnetic wave that can move through free space (sometimes with a particular polarization).
Electromagnetic waves travel through space either directly, or have their path altered by reflection, refraction or diffraction. The intensity of the waves diminishes due to geometric dispersion (the inverse-square law); some energy may also be absorbed by the intervening medium in some cases. Noise will generally alter the desired signal; this electromagnetic interference comes from natural sources, as well as from artificial sources such as other transmitters and accidental radiators. Noise is also produced at every step due to the inherent properties of the devices used. If the magnitude of the noise is large enough, the desired signal will no longer be discernible; this is the fundamental limit to the range of radio communications.
The electromagnetic wave is intercepted by a tuned receiving antenna; this structure captures some of the energy of the wave and returns it to the form of oscillating electrical currents. At the receiver, these currents are demodulated, which is conversion to a usable signal form by a detector sub-system. The receiver is "tuned" to respond preferentially to the desired signals, and reject undesired signals.
Early radio systems relied entirely on the energy collected by an antenna to produce signals for the operator. Radio became more useful after the invention of electronic devices such as the vacuum tube and later the transistor, which made it possible to amplify weak signals. Today radio systems are used for applications from walkie-talkie children's toys to the control of space vehicles, as well as for broadcasting, and many other applications.
Development from a laboratory demonstration to a commercial entity spanned several decades and required the efforts of many practitioners. In 1878, David E. Hughes noticed that sparks could be heard in a telephone receiver when experimenting with his carbon microphone. He developed this carbon-based detector further and eventually could detect signals over a few hundred yards. He demonstrated his discovery to the Royal Society in 1880, but was told it was merely induction, and therefore abandoned further research.
Experiments, later patented, were undertaken by Thomas Edison and his employees of Menlo Park. Edison applied in 1885 to the U.S. Patent Office for his patent on an electrostatic coupling system between elevated terminals. The patent was granted as on December 29, 1891. The Marconi Company would later purchase rights to the Edison patent to protect them legally from lawsuits.
In 1893, in St. Louis, Missouri, Nikola Tesla made devices for his experiments with electricity. Addressing the ''Franklin Institute'' in Philadelphia and the ''National Electric Light Association'', he described and demonstrated the principles of his wireless work. The descriptions contained all the elements that were later incorporated into radio systems before the development of the vacuum tube. He initially experimented with magnetic receivers, unlike the coherers (detecting devices consisting of tubes filled with iron filings which had been invented by Temistocle Calzecchi-Onesti at Fermo in Italy in 1884) used by Guglielmo Marconi and other early experimenters.
A demonstration of wireless telegraphy took place in the lecture theater of the Oxford University Museum of Natural History on August 14, 1894, carried out by Professor Oliver Lodge and Alexander Muirhead. During the demonstration a radio signal was sent from the neighboring Clarendon laboratory building, and received by apparatus in the lecture theater.
In 1895 Alexander Stepanovich Popov built his first radio receiver, which contained a coherer. Further refined as a lightning detector, it was presented to the Russian Physical and Chemical Society on May 7, 1895. A depiction of Popov's lightning detector was printed in the Journal of the Russian Physical and Chemical Society the same year. Popov's receiver was created on the improved basis of Lodge's receiver, and originally intended for reproduction of its experiments.
In 1895, Marconi built a wireless system capable of transmitting signals at long distances (1.5 mi./ 2.4 km). In radio transmission technology, early public experimenters had made short distance broadcasts. Marconi achieved long range signalling due to a wireless transmitting apparatus and a radio receiver claimed by him. From Marconi's experiments, the phenomenon that transmission range is proportional to the square of antenna height is known as "Marconi's law". This formula represents a physical law that radio devices use. Marconi's experimental apparatus proved to be a complete, commercially successful radio transmission system. According to the ''Proceedings of the United States Naval Institute'' in 1899, the Marconi instruments had a "[...] coherer, principle of which was discovered some twenty years ago, [and was] the only electrical instrument or device contained in the apparatus that is at all new".
In 1896, Marconi was awarded British patent 12039, ''Improvements in transmitting electrical impulses and signals and in apparatus there-for'', for radio. In 1897, he established a radio station on the Isle of Wight, England. Marconi opened his "wireless" factory in Hall Street, Chelmsford, England in 1898, employing around 50 people. Shortly after the 1900s, Marconi held the patent rights for radio.
Sports broadcasting began at this time as well, including the first broadcast college football game.
In 1943 the United States Supreme Court upheld Tesla's patent for radio, number 645,576 (1897), with the supreme court's justification that claim 16 in Marconi's related patent, number 763,772 (1904), contained nothing new not having been published earlier and registered by Tesla, Lodge, and others. After years of patent battles by Marconi's company, the United States Supreme Court, in the 1943 case "Marconi Wireless Telegraph co. of America v. United States", held regarding the priority of engineering advances concerning the invention of radio that "[but] it is now held that in the important advance upon his basic patent Marconi did nothing that had not already been seen and disclosed". The decision effectively awarded priority of the invention of radio to Tesla and his 1893 presentation in St. Louis. Although Marconi claimed that he had no knowledge of prior art taken from Tesla's patents, the supreme court considered his claim false. In addition to the June 21, 1943 ruling made by the supreme court, the United States Court of Claims also invalidated the fundamental Marconi patent earlier, in 1935. This case defined radio by the statement: "A radio communication system requires two tuned circuits each at the transmitter and receiver, all four tuned to the same frequency." Because Tesla's 1897 patent for radio was intended for general transmission of energy, the court determined that Tesla's patent clearly was the first to disclose a system which could be used for wireless communication of intelligible messages (such as human voice and music) and used the four-circuit tuned combination. In contrast, related developments in the United Kingdom saw the British High Court uphold Marconi's British Patent 7,777 that was issued on April 26, 1900. This British patent held by Marconi disclosed a four-circuit system, which was strikingly similar to a four-circuit system disclosed in U.S. patent #645,576 that was issued earlier to Tesla on March 20, 1900. On the matter of invention, it is held that Marconi knowingly and unknowingly used the scientific and experimental work of many others who were devising their own radio tuning apparatus' around the same time, such as the work of American electrical engineer John Stone Stone who was issued several U.S. patents between 1904 and 1908. However, what made Marconi more successful than any other was his ability to ''commercialize'' radio and its associated equipment into a global business.
One of the first developments in the early 20th century was that aircraft used commercial AM radio stations for navigation. This continued until the early 1960s when VOR systems became widespread. In the early 1930s, single sideband and frequency modulation were invented by amateur radio operators. By the end of the decade, they were established commercial modes. Radio was used to transmit pictures visible as television as early as the 1920s. Commercial television transmissions started in North America and Europe in the 1940s.
In 1954, the Regency company introduced a pocket transistor radio, the TR-1, powered by a "standard 22.5 V Battery". In 1955, the newly formed Sony company introduced its first transistorized radio. It was small enough to fit in a vest pocket, and able to be powered by a small battery. It was durable, because it had no vacuum tubes to burn out. Over the next 20 years, transistors replaced tubes almost completely except for very high-power transmitter uses. By 1963, color television was being regularly broadcast commercially (though not all broadcasts or programs were in color), and the first (radio) communication satellite, ''Telstar'', was launched. In the late 1960s, the U.S. long-distance telephone network began to convert to a digital network, employing digital radios for many of its links. In the 1970s, LORAN became the premier radio navigation system. Soon, the U.S. Navy experimented with satellite navigation, culminating in the invention and launch of the GPS constellation in 1987. In the early 1990s, amateur radio experimenters began to use personal computers with audio cards to process radio signals. In 1994, the U.S. Army and DARPA launched an aggressive, successful project to construct a software-defined radio that can be programmed to be virtually any radio by changing its software program. Digital transmissions began to be applied to broadcasting in the late 1990s.
Radio was used to pass on orders and communications between armies and navies on both sides in World War I; Germany used radio communications for diplomatic messages once it discovered that its submarine cables had been tapped by the British. The United States passed on President Woodrow Wilson's Fourteen Points to Germany via radio during the war. Broadcasting began from San Jose, California in 1909, and became feasible in the 1920s, with the widespread introduction of radio receivers, particularly in Europe and the United States. Besides broadcasting, point-to-point broadcasting, including telephone messages and relays of radio programs, became widespread in the 1920s and 1930s. Another use of radio in the pre-war years was the development of detection and locating of aircraft and ships by the use of radar (''RA''dio ''D''etection ''A''nd ''R''anging).
Today, radio takes many forms, including wireless networks and mobile communications of all types, as well as radio broadcasting. Before the advent of television, commercial radio broadcasts included not only news and music, but dramas, comedies, variety shows, and many other forms of entertainment (the era from 1930 to the mid-1950s is commonly called radio's "Golden Age"). Radio was unique among methods of dramatic presentation in that it used only sound. For more, see radio programming.
FM broadcast radio sends music and voice with higher fidelity than AM radio. In frequency modulation, amplitude variation at the microphone causes the transmitter frequency to fluctuate. Because the audio signal modulates the frequency and not the amplitude, an FM signal is not subject to static and interference in the same way as AM signals. Due to its need for a wider bandwidth, FM is transmitted in the Very High Frequency (VHF, 30 MHz to 300 MHz) radio spectrum. VHF radio waves act more like light, traveling in straight lines; hence the reception range is generally limited to about 50–100 miles. During unusual upper atmospheric conditions, FM signals are occasionally reflected back towards the Earth by the ionosphere, resulting in long distance FM reception. FM receivers are subject to the capture effect, which causes the radio to only receive the strongest signal when multiple signals appear on the same frequency. FM receivers are relatively immune to lightning and spark interference.
High power is useful in penetrating buildings, diffracting around hills, and refracting in the dense atmosphere near the horizon for some distance beyond the horizon. Consequently, 100,000 watt FM stations can regularly be heard up to 100 miles (160 km) away, and farther (e.g., 150 miles, 240 km) if there are no competing signals. A few old, "grandfathered" stations do not conform to these power rules. WBCT-FM (93.7) in Grand Rapids, Michigan, USA, runs 320,000 watts ERP, and can increase to 500,000 watts ERP by the terms of its original license. Such a huge power level does not usually help to increase range as much as one might expect, because VHF frequencies travel in nearly straight lines over the horizon and off into space. Nevertheless, when there were fewer FM stations competing, this station could be heard near Bloomington, Illinois, USA, almost 300 miles (500 km) away.
FM subcarrier services are secondary signals transmitted in a "piggyback" fashion along with the main program. Special receivers are required to utilize these services. Analog channels may contain alternative programming, such as reading services for the blind, background music or stereo sound signals. In some extremely crowded metropolitan areas, the sub-channel program might be an alternate foreign language radio program for various ethnic groups. Sub-carriers can also transmit digital data, such as station identification, the current song's name, web addresses, or stock quotes. In some countries, FM radios automatically re-tune themselves to the same channel in a different district by using sub-bands.
Aviation voice radios use VHF AM. AM is used so that multiple stations on the same channel can be received. (Use of FM would result in stronger stations blocking out reception of weaker stations due to FM's capture effect). Aircraft fly high enough that their transmitters can be received hundreds of miles (or kilometres) away, even though they are using VHF.
Marine voice radios can use single sideband voice (SSB) in the shortwave High Frequency (HF—3 MHz to 30 MHz) radio spectrum for very long ranges or narrowband FM in the VHF spectrum for much shorter ranges. Narrowband FM sacrifices fidelity to make more channels available within the radio spectrum, by using a smaller range of radio frequencies, usually with five kHz of deviation, versus the 75 kHz used by commercial FM broadcasts, and 25 kHz used for TV sound.
Government, police, fire and commercial voice services also use narrowband FM on special frequencies. Early police radios used AM receivers to receive one-way dispatches.
Civil and military HF (high frequency) voice services use shortwave radio to contact ships at sea, aircraft and isolated settlements. Most use single sideband voice (SSB), which uses less bandwidth than AM. On an AM radio SSB sounds like ducks quacking, or the adults in a Charlie Brown cartoon. Viewed as a graph of frequency versus power, an AM signal shows power where the frequencies of the voice add and subtract with the main radio frequency. SSB cuts the bandwidth in half by suppressing the carrier and one of the sidebands. This also makes the transmitter about three times more powerful, because it doesn't need to transmit the unused carrier and sideband.
TETRA, Terrestrial Trunked Radio is a digital cell phone system for military, police and ambulances. Commercial services such as XM, WorldSpace and Sirius offer encrypted digital Satellite radio.
Satellite phones use satellites rather than cell towers to communicate.
Digital television uses 8VSB modulation in North America (under the ATSC digital television standard), and COFDM modulation elsewhere in the world (using the DVB-T standard). A Reed–Solomon error correction code adds redundant correction codes and allows reliable reception during moderate data loss. Although many current and future codecs can be sent in the MPEG transport stream container format, as of 2006 most systems use a standard-definition format almost identical to DVD: MPEG-2 video in Anamorphic widescreen and MPEG layer 2 (''MP2'') audio. High-definition television is possible simply by using a higher-resolution picture, but H.264/AVC is being considered as a replacement video codec in some regions for its improved compression. With the compression and improved modulation involved, a single "channel" can contain a high-definition program and several standard-definition programs.
Radio direction-finding is the oldest form of radio navigation. Before 1960 navigators used movable loop antennas to locate commercial AM stations near cities. In some cases they used marine radiolocation beacons, which share a range of frequencies just above AM radio with amateur radio operators. LORAN systems also used time-of-flight radio signals, but from radio stations on the ground. VOR (Very High Frequency Omnidirectional Range), systems (used by aircraft), have an antenna array that transmits two signals simultaneously. A directional signal rotates like a lighthouse at a fixed rate. When the directional signal is facing north, an omnidirectional signal pulses. By measuring the difference in phase of these two signals, an aircraft can determine its bearing or radial from the station, thus establishing a line of position. An aircraft can get readings from two VORs and locate its position at the intersection of the two radials, known as a "fix." When the VOR station is collocated with DME (Distance Measuring Equipment), the aircraft can determine its bearing and range from the station, thus providing a fix from only one ground station. Such stations are called VOR/DMEs. The military operates a similar system of navaids, called TACANs, which are often built into VOR stations. Such stations are called VORTACs. Because TACANs include distance measuring equipment, VOR/DME and VORTAC stations are identical in navigation potential to civil aircraft.
General purpose radars generally use navigational radar frequencies, but modulate and polarize the pulse so the receiver can determine the type of surface of the reflector. The best general-purpose radars distinguish the rain of heavy storms, as well as land and vehicles. Some can superimpose sonar data and map data from GPS position.
Search radars scan a wide area with pulses of short radio waves. They usually scan the area two to four times a minute. Sometimes search radars use the Doppler effect to separate moving vehicles from clutter. Targeting radars use the same principle as search radar but scan a much smaller area far more often, usually several times a second or more. Weather radars resemble search radars, but use radio waves with circular polarization and a wavelength to reflect from water droplets. Some weather radar use the Doppler effect to measure wind speeds.
Most new radio systems are digital, see also: Digital TV, Satellite Radio, Digital Audio Broadcasting. The oldest form of digital broadcast was spark gap telegraphy, used by pioneers such as Marconi. By pressing the key, the operator could send messages in Morse code by energizing a rotating commutating spark gap. The rotating commutator produced a tone in the receiver, where a simple spark gap would produce a hiss, indistinguishable from static. Spark-gap transmitters are now illegal, because their transmissions span several hundred megahertz. This is very wasteful of both radio frequencies and power.
The next advance was continuous wave telegraphy, or CW (Continuous Wave), in which a pure radio frequency, produced by a vacuum tube electronic oscillator was switched on and off by a key. A receiver with a local oscillator would "heterodyne" with the pure radio frequency, creating a whistle-like audio tone. CW uses less than 100 Hz of bandwidth. CW is still used, these days primarily by amateur radio operators (hams). Strictly, on-off keying of a carrier should be known as "Interrupted Continuous Wave" or ICW or on-off keying (OOK).
Radioteletype equipment usually operates on short-wave (HF) and is much loved by the military because they create written information without a skilled operator. They send a bit as one of two tones using frequency-shift keying. Groups of five or seven bits become a character printed by a teleprinter. From about 1925 to 1975, radioteletype was how most commercial messages were sent to less developed countries. These are still used by the military and weather services.
Aircraft use a 1200 Baud radioteletype service over VHF to send their ID, altitude and position, and get gate and connecting-flight data. Microwave dishes on satellites, telephone exchanges and TV stations usually use quadrature amplitude modulation (QAM). QAM sends data by changing both the phase and the amplitude of the radio signal. Engineers like QAM because it packs the most bits into a radio signal when given an exclusive (non-shared) fixed narrowband frequency range. Usually the bits are sent in "frames" that repeat. A special bit pattern is used to locate the beginning of a frame. Communication systems that limit themselves to a fixed narrowband frequency range are vulnerable to jamming. A variety of jamming-resistant spread spectrum techniques were initially developed for military use, most famously for Global Positioning System satellite transmissions. Commercial use of spread spectrum began in the 1980s. Bluetooth, most cell phones, and the 802.11b version of Wi-Fi each use various forms of spread spectrum.
Systems that need reliability, or that share their frequency with other services, may use "coded orthogonal frequency-division multiplexing" or COFDM. COFDM breaks a digital signal into as many as several hundred slower subchannels. The digital signal is often sent as QAM on the subchannels. Modern COFDM systems use a small computer to make and decode the signal with digital signal processing, which is more flexible and far less expensive than older systems that implemented separate electronic channels. COFDM resists fading and ghosting because the narrow-channel QAM signals can be sent slowly. An adaptive system, or one that sends error-correction codes can also resist interference, because most interference can affect only a few of the QAM channels. COFDM is used for Wi-Fi, some cell phones, Digital Radio Mondiale, Eureka 147, and many other local area network, digital TV and radio standards.
Free radio stations, sometimes called pirate radio or "clandestine" stations, are unauthorized, unlicensed, illegal broadcasting stations. These are often low power transmitters operated on sporadic schedules by hobbyists, community activists, or political and cultural dissidents. Some pirate stations operating offshore in parts of Europe and the United Kingdom more closely resembled legal stations, maintaining regular schedules, using high power, and selling commercial advertising time.
In Madison Square Garden, at the Electrical Exhibition of 1898, Nikola Tesla successfully demonstrated a radio-controlled boat. He was awarded U.S. patent No. 613,809 for a "Method of and Apparatus for Controlling Mechanism of Moving Vessels or Vehicles."
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Born in Morogoro (Tanzania), Ras Nas aka Nasibu Mwanukuzi, is a musician and poet from Tanzania who blends African music and reggae with a dash of poetry. Ras Nas' latest album, Dar-es-Salaam, contains roots reggae, soukous and dub poetry. It is released by Kongoi Productions, KonPro. Dar-es-Salaam has received a five star review in one of Norway's biggest dailies, Dagsavisen.
Recently, Ras Nas was featured on BBC World Service, 'The Beat' program. The weekly program, reaching millions of listeners world wide, is presented by Mark Coles. Other artists on the program were Wyclef Jean and Zoe Rahman.
Among Ras Nas merits is sharing stage with Bob Dylan, Van Morrison and Lou Reed at the Norwegian Wood Festival. Ras Nas has also warmed up for a number of reggae heavyweights like Luciano, I Jah Man, Linton Kwesi Johnson and Junior Delgado.
Ras Nas' latest CD "Dar-es-Salaam" contains a mix of reggae and African music, soukous. In this CD Ras Nas has worked with a number of musicians from nine different countries. These include Norwegian blues guitarist and singer Knut Reiersrud, Rolf Erik Nystrøm, Keppy Kiombile from Kilimanjaro Band, Norman Bikaka from Shada Band and drummer Uriel Seri from Ivory Coast.
Ras Nas aka Nasibu started writing African poetry at the age of 17 and experimented with various forms of African chanting and African drumming. Ran short of paint. Studied Law at the University of Dar-es-Salaam where he graduated with an L.L.B degree in 1984. Ras Nas has worked as a journalist for Daily News as well as a correspondent for Africa Magazine, covering mainly cultural issues.
During his youth Ras Nas listened to a lot of Tanzanian music by master guitarists like Wema Abdallah, the mighty Mbaraka Mwinshehe and his Likembe Mahoka style (from Morogoro), Segere Matata (from Tabora) as well as Michael Enok of Dar Jazz, from Dar-es-salaam.
Other influences is from the Congolese maestros like Luambo Makiadi and his T.P OK Jazz, Dr. Nico of African Fiesta Sukisa and countless other African musicians who have helped to mold African music and inspired another generation of musicians. More impulses came from Caribbean music of the late 60's which was popular in East Africa. Also influenced by the early reggae greats, the likes of Bob Marley, Burning Spear, Gregory Isaacs, and Linton Kwesi Johnson, to name but a few. All this has helped to shape Ras Nas' musical style.
In 1982 Nasibu co-founded a powerful poetry and drama group "SAYARI" in Dar-es-salaam. The group combined African music, poetry, miming, dance and drama and toured extensively in Scandinavia. Moved on to Oslo in 1985 to study Mass Communications at the University of Oslo, UIO.
In 1985 he initiated "UMOJA" group in Oslo which blended traditional African music and dance. He also co-founded "ARTISTS FOR LIBERATION", a forerunner to Nordic Black Theater. In 1989 he published his first collection of African poetry, "Double Focus", (Kongoi Productions). Together with Reginald T.Oliver (Papa Lion) and James Toney Jr. he formed NASIBU and the DUAL VISION, a trio that performed Rhythmic Poetry coated with vibral African chanting, harmonies and drumming. The trio changed name to "THE COLD FIRE" bringing in a Zimbabwean bassist, Clive Brown, and produced a music cassette during a tour in Germany.
In 1990 Nasibu went solo and formed his own band under his artist name, RAS NAS. The band had a début concert in July 1991, at a party to mark the 99th anniversary of His Imperial Majesty Haile Sellasie I. The party was organized by the Rastafari Cultural Foundation in Oslo. The year after, Ras Nas performed for Nelson Mandela, celebrating his release from Robben Island prison. This happened in Oslo, on Mr. Mandela's first visit to Norway.
In 1997 he produced Ras Nas début CD "Cut You Loose," (Kongoi Productions). (RNCD9701), working together with Charles Mena from Nicaragua, Chuck Frazier ,a musician from Texas and Ishamel de Leon from Trinidad.
Ras Nas tracks can be also be found in other music compilations, the most notable being "AMUN Tropical Acts vol.1", a compilation by African musicians living in Norway and "RAW 2000" by Reggae Ambassadors Worldwide.
Some earlier festivals Spring Festival 2010, Cairo and Beirut - May 2010 Galle Music Festival, Sri Lanka - December 2009 Oslo World Music Festival - 3rd November 2007 Oslo Mela - 18th August 2007 World Performing Arts and Music Festival - Lahore (Pakistan). Nov. 2006 Oslo Mela Festival (with Ngoma Rhythms). August 2006 Zanzibar International Film Festival (with Mandingo Trio). July 2006
Category:Tanzanian musicians Category:Tanzanian poets Category:Living people
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| {{infobox musical artist|name | Tinie Tempah|image_size | background solo_singer| name Tinie Tempah |
|---|---|
| birth name | Patrick Junior Chukwuemeka Okogwu |
| nationalism by birth | Nigerian, eastern zone |
| birth date | November 07, 1988 |
| origin | Plumstead, London,England |
| genre | Hip Hop, Electro Hop, Grime |
| occupation | Rapper, songwriter |
| years active | 2005–present |
| label | Parlophone/DL Records Ltd |
| Associated acts | Wiz Khalifa, Tinchy Stryder,Snoop Dogg, Chipmunk,Kelly Rowland, Ellie Goulding, JLS, Swedish House Mafia, Wiley, Labrinth, Eric Turner, Travis Barker, DJ Whoo Kid,Bei Maejor |
| website | }} |
Tinie and his manager and cousin Dumi Oburota founded the independent label Disturbing London primarily as an official outlet for Tinie's music, but with the idea of also signing other young artists. According to Dumi: "We wanted to have a platform to put out our music and there wasn't any Def Jam or Roc-A-Fella label equivalent in England. [Also] I wanted to create a major independent label with quality artists. I felt like the major labels had lost the passion for music." The activities of the label were initially largely funded by student loans and the proceeds from buying and selling cars.
When scout and music consultant Jade Richardson saw Tinie performing at the 2009 Wireless Festival she called Parlophone Records president Miles Leonard saying: “You’ve got to check out this guy Tinie Tempah. He came on at lunchtime and there’s about 1,000 kids screaming for him. He’s only put out one independent release and he’s got this huge audience.” Leonard and A&R Nathan Thompson visited Tinie and his manager Dumi at their studio a few weeks later and were hugely impressed to hear about the work they had already done in developing Tinie's career and by the ambitious plans they had for his future. Leonard told HitQuarters: "I thought it was incredible that an artist and manager were doing so much so soon with so little ... That impressed as much as the music."Tinie announced his signing to Parlophone in October 2009 by running a competition on his blog, with the winner invited to High Tea at Claridges to celebrate the deal.
Tinie released his debut single "Pass Out" with Parlophone on 28 February 2010, with it entering the UK Singles Chart at number 1. Selling just over 92,000 copies, making this his first number 1 which it remained for two consecutive weeks. Tinie would later perform "Pass Out" on 25 June 2010 at Glastonbury on the Pyramid stage with Snoop Dogg. Tinie then announced his second single, "Frisky", which was released on 6 June 2010 entering the UK Singles Chart at number 2. Tinie supported Rihanna for four dates in May on her 10-date UK tour with Tinchy Stryder and Pixie Lott. Tinie performed at many summer balls at various universities around the United Kingdom. Tinie performed at Radio 1 Big Weekend in Bangor on 22 May 2010 on the In New Music We Trust stage. He also toured with Mr Hudson in May 2010. Tinie Tempah played the Summertime Ball at Wembley Stadium on 6 June 2010, at Wakestock in Abersoch on 3 July 2010, both T4 On The Beach and the Wireless Festival in London's Hyde Park on 4 July, and V Festival on 21 and 22 August 2010. Tinie released his third single "Written in the Stars" on 19 September 2010. This again charted at number 1 in the UK Singles Chart selling over 115,000 copies in its first week, making it his biggest-selling single to date. The song also went on to chart in a number of other countries. Tinie went on to team up with Swedish House Mafia for his fourth single "Miami 2 Ibiza" which was released on 1 October 2010. This went on to reach a peak of number 4 in the UK Singles Chart and his first number 1 in the Netherlands Mega Single Top 100 chart. He released his long-awaited debut album, ''Disc-Overy'' on 4 October 2010 which featured all his previous charted singles. On 11 October 2010, he kicked off his first UK tour which was supported by Chiddy Bang. He went on to win his first 2 MOBO Awards in October. Tinie also featured on the Tinchy Stryder single "Game Over" which was released on 15 November 2010. This reached number 22 on the UK Singles Chart. On 25 December, Tinie released his fifth single "Invincible" featuring Kelly Rowland, which peaked at number 11 on the UK Singles Chart. "Wonderman", featuring Ellie Goulding, was released and was the fifth official single. Tinie joined Usher on the European leg of his OMG Tour in January 2011. Tinie was also nominated for 4 Brit Awards making him the most nominated artist at the awards. His single "Written in the Stars" was used for a WrestleMania XXVII countdown promo during the WWE PPV Royal Rumble on 30 January 2011. It was later confirmed by WWE that it will be the official theme for Wrestlemania XXVII. On 15 February 2011, he won his first ever Brit Award, for Best British Breakthrough Act. He also won a Brit for Best British Single. On 7 March 2011, Tempah expressed his desire for his next album to go triple platinum. "I reckon in 2011, towards the end of it, I'm going to do an arena tour - and sell it out - then I reckon I'm going to release another album, and fingers crossed it can go platinum again, and double platinum, and triple. Let's just sell a million."
In December 2010, Tinie confirmed he is writing a second album, saying there will be a more electronic and live feel to it. It is not yet known what the title will be. Originally intended for a late 2011 release, it is now expected to be released in 2012. During an interview, Tinie commented on his second album: "Yeah I’ve started it already so I’m hoping to get it out by October/November time. I always like to work with different people on each project I do, just so you get a different sound and angle. I will be working with some of the same people I did for the first album, you know what they say ‘if it ain't broke then don’t try and fix it’." According to a recent interview Tinie revealed his hopes of collaborating with some of music's hottest artists saying, "I really want to collaborate with Toronto's very own Drake. I think he's amazing at what he does. I'd also like to collaborate with Adele, Sleigh Bells, Lykke Li, Dev, James Blake ― those are the few that I'd really like to work with." Tinie announced in an interview with ''Rolling Stone'' that his next single is to be called "Till I'm Gone" which will feature Wiz Khalifa and is produced by Stargate. The single and the video song were released at the end of June 2011. Tinie Tempah, world renowned drummer Travis Barker and Irish boxing champion Katie Taylor, joined forces to launch Lucozade’s new ''Yes Campaign'', which signals a repositioning of its sports and energy drink brand. Featuring a performance of Tinie Tempah’s "Simply Unstoppable" with Travis Barker on drums, remixed especially for Lucozade Sport, the campaign was released in Summer 2011.
| !Year | !Ceremony | !Category | !Nominated work | !Result | !Ref |
| Best Newcomer | |||||
| Best Video | |||||
| Best UK Act | |||||
| Best Song | |||||
| Hottest Boy | |||||
| Hottest Hook-up | |||||
| The UGG Award (Urban/Garage/Grime) | |||||
| Best Newcomer | |||||
| Best Video | |||||
| Best Hip-Hop Act | |||||
| Best Collaboration | |||||
| Breakthrough Artist of the Year | |||||
| Best Male Artist | |||||
| Best Newcomer | |||||
| Best Video | |||||
| Best Song | |||||
| Breakthrough Artist | |||||
| Best UK and Ireland New Act | |||||
| Pop Music | ''Disc-Overy'' | ||||
| Best British Male | |||||
| Best Breakthrough Act | |||||
| Best Single | |||||
| Album of the Year | ''Disc-Overy'' | ||||
| Best Contemporary Song | |||||
| Best International Act: UK |
Category:English rappers Category:Black British people Category:English people of Igbo descent Category:English people of Nigerian descent Category:Grime artists Category:Black British musicians Category:Igbo musicians Category:People from London Category:British hip hop musicians Category:1988 births Category:Living people
cs:Tinie Tempah da:Tinie Tempah de:Tinie Tempah es:Tinie Tempah fr:Tinie Tempah hr:Tinie Tempah it:Tinie Tempah he:טייני טמפה lv:Tinie Tempah lt:Tinie Tempah hu:Tinie Tempah nl:Tinie Tempah no:Tinie Tempah pcd:Tinie Tempah pl:Tinie Tempah pt:Tinie Tempah ru:Тайни Темпа simple:Tinie Tempah fi:Tinie Tempah sv:Tinie Tempah zh:泰尼·坦普This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | Yu Dafu |
|---|---|
| birth date | December 07, 1896 |
| birth place | Fuyang, Zhejiang, China |
| death date | September 17, 1945 |
| occupation | Short Story writer and Poet |
| website | }} |
In 1912, he entered Hangchow University (later its major part merged into Zhejiang University) preparatory through examination. He was there only for a short period before he was expelled for participation in a student strike.
He then moved to Japan, where he studied economics at the Tokyo Imperial University between 1913 and 1922, where he met other Chinese intellectuals (namely, Guo Moruo, Zhang Ziping and Tian Han). Together, in 1921 they founded the ''Chuangzao she'' 創造社 ("Creation Society"), which promoted vernacular and modern literature. One of his earlier works ''Chenlun'' 沉淪, also his most famous, published in Japan in 1921. The work had gained immense popularity in China, shocking the world of Chinese literature with its frank dealing with sex, as well as grievances directed at the incompetence of Chinese government at the time.
In 1922, he returned to China as a literary celebrity and worked as the editor of ''Creation Quarterly'', editing journals and writing short stories. In 1923, after an attack of tuberculosis, Yu Dafu directed his attention to the welfare of the masses.
In 1927, he worked as an editor of the ''Hongshui'' literary magazine. He later came in conflict with the Communist Party of China and fled back to Japan.
In 1942 when the Imperial Japanese Army invaded Singapore, he was forced to flee to Sumatra. Known under a different identity, he settled there among other overseas Chinese and began a brewery business with the help of the locals. Later he was forced to help the Japanese military police as an interpreter when it was discovered that he was one of the few "locals" in the area who could speak Japanese.
In 1945, he was arrested by the Kempeitai when his true identity was finally discovered. It is believed that he was executed by the Japanese shortly after the surrender of Japan.
His most popular work, breaking all Chinese sales records, was ''Jih-chi chiu-chung'' "''Nine Diaries''", which detailed his affair with the writer Wang Ying-hsin. The most critically acclaimed work is ''Kuo-ch'u'' or "''The Past''", written in 1927.
Category:1896 births Category:1945 deaths Category:Chinese expatriates in Japan Category:Hangzhou High School alumni Category:People from Hangzhou Category:Republic of China poets Category:University of Tokyo alumni Category:Zhejiang University alumni
de:Yu Dafu es:Yu Dafu fr:Yu Dafu it:Yu Dafu no:Yu Dafu zh:郁達夫This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | Jordin Sparks |
|---|---|
| background | solo_singer |
| birth name | Jordin Brianna Sparks |
| birth date | December 22, 1989 |
| birth place | Phoenix, Arizona |
| genre | R&B, pop, pop rock, dance-pop |
| origin | Glendale, Arizona, |
| instrument | Vocals, guitar |
| occupation | Singer-songwriter, actress, model |
| years active | 2007–present |
| label | Jive, 19 |
| website | }} |
Sparks' second album ''Battlefield'' was released in July 2009 worldwide and debuted at #7 in the U.S., three spots higher than her first album. The album's lead single, also titled "Battlefield", peaked in the top 10 on the Billboard Hot 100, making it her third top 10 single and fifth consecutive top 20 single. Sparks is the only Idol contestant to have their first five singles reach the top 20 on the Billboard Hot 100. "Battlefield" has sold almost 2 million copies worldwide. Sparks has sold over 9 million singles worldwide to date, making her one of the most successful idol winners. ''Battlefield's'' second single, "S.O.S. (Let the Music Play)", was her first song to top the U.S. Billboard Hot Dance Club Play making it her first U.S. number one single. Sparks followed her success in 2010 by making her debut on Broadway. Sparks starred as Nina Rosario in the Tony Award winning broadway musical, ''In The Heights''.
Before appearing on ''American Idol'', Sparks participated in and won such talent competitions as Coca-Cola's Rising Star, the Gospel Music Association Academy's Overall Spotlight Award, ''America's Most Talented Kids'', Colgate Country Showdown, and the ''2006 Drug Free AZ Superstar Search''. Prior to ''Idol'', Sparks frequently performed the national anthem at various local sporting events, notably for the Phoenix Suns, Arizona Cardinals, and Arizona Diamondbacks. Sparks also appeared with Alice Cooper in his 2004 Christmas show and toured with Christian contemporary singer Michael W. Smith in 2006. In 2006, Sparks was one of six winners of the Phoenix Torrid search for the "Next Plus Size Model". She was flown to California, where she was used in a number of Torrid ads and promotional pieces. A full-page ad for Torrid featuring Sparks ran in the December 2006 issue of ''Seventeen'' magazine.
On June 15, 2011, Sparks had her first-ever bikini shoot for the cover of People Magazine's Most Amazing Bodies issue. When speaking about her weight loss and diet to Access Hollywood, Sparks said, "My diet has pretty much remained the same, like if I want a piece of bread, I’m gonna have a piece of bread, but I’m making healthier decisions like instead of a bag of chips for a snack, I’ll see if I can find an apple. I’ve also upped my intake of vegetables and I’m drinking a lot more water."
Since her win in 2007, Sparks has returned to Idol five times. She performed twice on the seventh season of ''American Idol'', once on the Idol Gives Back results show singing "No Air" with Chris Brown and again with "One Step at a Time" on May 21, 2008 for the finale. She performed "Battlefield" on the May 13, 2009 episode of ''American Idol''. The following year, Sparks took part in a tribute to Simon Cowell with other former contestants at the Season 9 finale on May 26, 2010. Most recently, during Season 10, Sparks performed her new song "I Am Woman" on the Top 4 results show.
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Sparks released her self-titled debut studio album on November 20, 2007, which debuted at number ten on the ''Billboard'' 200. To date, it has sold over a million copies in the U.S and was certified platinum by the RIAA. "No Air", a duet with Chris Brown, was released as the second single from the album in February 2008. In the United States, the song peaked at number three on the ''Billboard'' Hot 100 becoming Sparks' best-charting single to date. It was also her first song to appear on the Hot R&B/Hip-Hop Songs chart, where it reached number four. To date, the song has sold over three million copies in the U.S, making Sparks the first ''American Idol'' contestant to reach the three million mark. It also became Brown's first song to hit three million. "No Air" also charted in Australia and New Zealand, where it reached number one, receiving platinum certifications in both countries.
On February 3, 2008, Sparks sang the National Anthem at Super Bowl XLII. She performed in a tribute to Aretha at the NAACP Awards in February, as well. She had previously performed in a tribute to Diana Ross in December 2007.
In support of the album, Sparks opened for Alicia Keys on the North America leg of her As I Am Tour, starting on April 19, 2008. Before the tour, a career-threatening throat injury forced Sparks to cancel a few weeks of the shows. Officials revealed she was suffering an acute vocal cord hemorrhage and was ordered strict vocal rest until the condition improved. Sparks was back on the road by April 30, 2008 and remained on the tour until June 18, 2008. Sparks later joined Keys for the tour leg in Australia and New Zealand in December 2008.
The album's third single, "One Step at a Time", was released in June 2008. It peaked at number seventeen on the ''Billboard'' Hot 100, giving Sparks her fourth top twenty hit on the chart. This makes Sparks the only ''American Idol'' contestant to have her first four singles reach the top twenty of the Hot 100. It also charted in the top twenty in Australia, Canada, and the United Kingdom. In New Zealand, the song reached number two and was certified gold by the RIANZ. In August 2008, Sparks co-headlined the Jesse & Jordin LIVE Tour with Jesse McCartney in the United States.
Sparks received two MTV Video Music Award nominations for Best Female Video for "No Air" and Best New Artist at the 2008 MTV Video Music Awards. While at the awards show, Sparks caused controversy by responding to a joke made by host Russell Brand during his opening monologue, in which he held up a silver ring, claiming to have relieved one of the Jonas Brothers of their virginity, saying he would "take them more seriously if they wore it (the ring) around their genitals". Sparks who also wears a promise ring, began her introduction of T.I. and Rihanna by saying "It's not bad to wear a promise ring because not everybody, guy or girl, wants to be a slut." In response to the controversy over her "slut" remark, Sparks told ''Entertainment Weekly'' that she doesn't regret the remark, commenting that "I wish I would've worded it differently – that somebody who doesn't wear a promise ring isn't necessarily a slut – but I can't take it back now." At the 2008 American Music Awards, Sparks won the award for Favorite Artist in the Adult Contemporary Category.
In support of the album, Sparks opened for The Jonas Brothers on the North America leg of the Jonas Brothers World Tour 2009, starting on June 20, 2009. She also opened for Britney Spears on the second leg of her Circus Tour in North America, beginning on August 24, 2009. Sparks served as a replacement for Ciara.
"S.O.S. (Let the Music Play)", was released as the second single from ''Battlefield'' on September 15, 2009. The song topped the U.S Hot Dance Club Songs chart, becoming Sparks' first number one on the chart and peaked in the top fifteen in the United Kingdom. During this time, she recorded the duet, "Art of Love", with Australian artist Guy Sebastian for his fifth studio album, ''Like It Like That''. The song reached the top ten in Australia and New Zealand and was certified platinum by the Australian Recording Industry Association. The third single from ''Battlefield'', "Don't Let It Go to Your Head", was released in the United Kingdom on January 8, 2010. The song reached a peak of #16 on the UK Singles Chart despite no physical release.
In May 2010, Sparks embarked on her first headlining tour in the United States, the Battlefield Tour. It began on May 1, 2010 and ended on July 18, 2010, stopping in over 35 major cities in the United States. In support of the DVD/Blu-Ray re-release of the Disney animated film, ''Beauty and the Beast'', Sparks recorded a cover of the film's title track for the soundtrack. A music video for the song was released on October 18, 2010.
In 2008, Sparks supported Dosomething.org's Do Something 101 campaign by filming a public service announcement explaining the nationwide school supplies drive project. She further supported the campaign by helping out at the Do Something 101 School Supply Volunteer Event held at the Staples Center in Los Angeles.
On May 20, 2009, Sparks became an endorser for the Got Milk? campaign, an American advertising campaign encouraging the consumption of cow's milk. On September 17, 2009, Sparks took part in the VH1 Divas special, a concert created to support the channel's Save The Music Foundation. The concert was held at the Brooklyn Academy of Music in New York where Sparks performed the second single from her Battlefield album, S.O.S. (Let the Music Play), as well as "A Broken Wing" with Martina McBride. In February 2010, Sparks was one of the many artists who contributed to "We Are the World 25 for Haiti", a charity single for the victims of the 2010 Haiti earthquake. Sparks teamed up with Pennyroyal Silver creator and designer, Tim Foster, to create her very own necklace design for the company's signature collection. Proceeds of the necklace funded medical units in Haiti.
On February 3, 2010, Sparks and David Archuleta performed at the "X the TXT" event, held at the Eden Roc Renaissance Hotel in Miami Beach, Florida. All proceeds raised by the event went to a number of charities, including the Miami Children’s Hospital Foundation. The following day both Sparks and Archuleta delivered teddy bears to children at the hospital. In June 2010, the "Thumbs Up to X the TXT" pledge campaign, established by "The Allstate Corporation", made its way to Sparks' Battlefield Tour, presented by Mike & Ike to encourage teens and their families not to text while driving. Fans at Sparks' concerts made a pledge not to text and drive by adding their thumbprint to a traveling banner at each of her shows. The campaign began at Sparks' Battlefield Tour on June 3, 2010 and ended on July 18, 2010. Sparks is the main spokesperson for the "I’m M.A.D., Are You?" campaign. She also supports Alex’s Lemonade Stand Foundation, which helps to raise money for children with cancer. Sparks traveled to Louisiana in June 2010 to visit the Gulf Coast oil spill with the Audubon Society to view the effects of the oil spill on the wildlife and marshes. Sparks is also is a member of the National Youth Leadership Committee for the Ronald Reagan Centennial Celebration, along with Nick Jonas, Genvieve Ryan, and Brodi Conover.
On July 28, 2011, Sparks performed a live surprise concert in Times Square. Sparks was named the "VH1 Save The Music Foundation Ambassador" in 2011.
; Studio albums
Joint tours
| !Year | !Award | !Category | !Result |
| 2007 | Teen Choice Awards | Choice Female Reality/Variety Star | |
| NAACP Image Awards | Outstanding New Artist | ||
| BET Pre-Awards | Best Heartbreak Video ("No Air") | ||
| Viewers Choice ("No Air") | |||
| Beautiful Face Award | |||
| Choice Hook-Up ("No Air") | |||
| Choice Love Song ("No Air") | |||
| Choice Breakout Artist | |||
| Best Female Video ("No Air") | |||
| Best New Artist | |||
| American Music Awards | Favorite Adult Contemporary Artist | ||
| rowspan="2" | Favorite Pop Song ("No Air") | ||
| Favorite Combined Forces ("No Air") | |||
| MTV Australia Awards | Best Collaboration ("No Air") | ||
| 2010 |
| !Year | !Title | !Role | !Notes | |
| 2009 | ''The Suite Life On Deck'' | Herself | ||
| ''Big Time Rush'' | Herself | List of Big Time Rush episodes>Big Time Sparks" | ||
| ''When I Was 17'' | Herself | Episode: 16 | ||
| rowspan="3" | 2011 | ''BrainSurge'' | Herself | |
| ''Team Umizoomi'' | Blue Mermaid | |||
| ''Majors & Minors'' | Herself |
Category:1989 births Category:Living people Category:African American female singer-songwriters Category:African American guitarists Category:African American singers Category:American child singers Category:American evangelicals Category:American female guitarists Category:American female models Category:American female singers Category:American guitarists Category:American Idol winners Category:American pop singers Category:American rhythm and blues singers Category:Jive Records artists Category:Musicians from Arizona Category:People from Glendale, Arizona Category:People from Phoenix, Arizona
af:Jordin Sparks ca:Jordin Sparks cs:Jordin Sparks da:Jordin Sparks de:Jordin Sparks et:Jordin Sparks es:Jordin Sparks fa:جردین اسپارکس fr:Jordin Sparks id:Jordin Sparks it:Jordin Sparks he:ג'ורדן ספארקס lv:Džordina Sperksa lt:Jordin Sparks hu:Jordin Sparks nl:Jordin Sparks ja:ジョーダン・スパークス no:Jordin Sparks pl:Jordin Sparks pt:Jordin Sparks ro:Jordin Sparks ru:Спаркс, Джордин simple:Jordin Sparks fi:Jordin Sparks sv:Jordin Sparks tl:Jordin Sparks th:จอร์ดิน สปาร์กส tr:Jordin Sparks vi:Jordin Sparks zh:喬丁·斯帕克斯This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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